welcome, readers, writers and revellers

This is the blog of Oxford University Poetry Society, where you can get up-to-date news about our upcoming events and poetry readings, dates of poetry workshops, read contributors' poetry, and try a hand at writing your own...
Showing posts with label poetry. Show all posts
Showing posts with label poetry. Show all posts

Thursday, 20 May 2010

Wednesday Workshop Poetry 2

another attempt

purgatory flames marshmallows – tulip seeds pressed ornaments – panting clouds ruptured – and the sliced tunnel: trustless standing view of look its nose abiding a spinning top. golden lyre rightful possession of violet-haired muses deep-sounding thunderer of brandished spears your last hopping there see in exhaustion the hare a spinning top flaming. round they dance pink sugar roast brown spitting this is important spitting ornaments. sliced then distributed everyone gets a share refreshed a chewing gum! up up now if you run I can still catch the bus they see me pressing closer; as you turn the spit watering lemon cake irony.

royal jelly.

6.5.10


Samuel Meister, Univ College

Wednesday Workshop Poetry

The Wednesday Workshop is dedicated to helping poets hone their craft. We find ways to improve drafts of poems, and become better writers together. The group feedback workshop style encourages not just discussion, but revision, and we’ve included some ‘before’ and ‘after’ drafts of some of our talented poets who attend the workshop. Sign up to the OUPS Facebook group to receive updates and come out and see for yourself!



These two are both by Arabella Currie, second year Classicist at Balliol.



BEFORE draft

Boa Sr has died


When the wave came down upon them
Boa Sr climbed. The elders told us the earth
would part. Don’t run away or move.
From her tree she could see it all.
Underneath, dogs and children
and stoves and walls and bicycles
flowed slowly past. Her roots dug deep.
Afterwards, she climbed down
and stood on the damp sand.
She looked at branchless trees and a still sea.
She didn’t say anything.

The dry syllables of the language
which in six years would die with her death
lay on her tongue.
She bit her lip and pushed the words
against the inside of her teeth.



AFTER workshop-draft

Boa Sr

In memory of a survivor of the Tsunami and the last speaker of Bo

When the wave came down upon them
Boa Sr climbed.
The elders told her the earth
would part. Don't move or run away.
The wave broke with a heavy sound.
From her tree she looked
as dogs and children
and stoves and walls and bicycles
flowed slowly past. Her roots clung.

Afterwards, she climbed down
and sat on the damp sand,
arms folded around her knees.
She saw branchless trees and a still sea.
She didn't say a thing.

Six years later, the dry syllables
of her language would die with her death.
Now they lay on her tongue.
She bit her lip and pushed the words
against the inside of her teeth.


BEFORE

The White Ship

This is the rock that sunk the White Ship.
No rock ever sunk such a ship, before or after,
and no ship ever brought so much misery to England.
So many men, sea beaten.
Stretched on the shore like thirsty seal pups,
salt deep in them. Only one left breathing.
A butcher from Rouen. Saved by his warm ramskins
and by the fishermen who saw him twitching,
and saw pale sheep start grazing on his wishbone.


AFTER

Barfleur

This is the rock that sunk the White Ship.
No ship ever brought such misery to England
and no rock ever sunk such a ship,
before or after.

All those men, sea-beaten,
stretched on the shore
like seal pups, salt deep in them.

Only one left breathing. A butcher from Rouen,
saved by the fishermen who saw him twitching -
saw pale sheep begin to graze on his wishbone.

Thursday, 20 November 2008

A Thought on Donald Rumsfeld

You remember that thing about known unknowns and unknown unknowns? No?

The Unknown (Donald Rumsfeld)

As we know,
There are known knowns.
There are things we know we know.
We also know
There are known unknowns.
That is to say
We know there are some things
We do not know.
But there are also unknown unknowns,
The ones we don't know
We don't know.

It sparked a whole genre of political found poetry.

"On Good and Evil" (Sarah Palin)

It is obvious to me
Who the good guys are in this one
And who the bad guys are.
The bad guys are the ones
Who say Israel is a stinking corpse,
And should be wiped off
The face of the earth.

That's not a good guy.

Okay, so here's my question: what about unknown knowns? Things we don't know we know, but nonetheless we know them. It's kind of like Proust says, "We possess all our memories, but not the faculty of recalling them... What, then, is a memory which we do not recall?"

Wednesday, 12 November 2008

A Reading from Geoffrey Hill

IX from The Triumph of Love

On chance occasions –
and others have observed this – you can see the wind,
as it moves, barely a separate thing,
the inner wall, the cell, of an hourglass, humming
vortices, bright particles in dissolution,
a roiling plug of sand picked up
as a small dancing funnel. It is how
the purest apprehension might appear
to take corporeal shape.

I love Hill’s sensitivity to the weight of words, how the mental (and real) tongue and ear lift and drop sounds, how the eyes imagine clusters and densities of letters, and attribute physicality to shifting speech particles. The aural-syntactical quality of this poem appeals to my ear, so I decided to record a vocal interpretation of it:
Click the title of this blog to hear it.